Review

Patton Oswalt Investigates Own-The-Libs Hysteria and the Wokeness Generation Gap on ‘We All Scream’

By 27 September 2022

Review

Review: Nathan Fielder’s ‘The Rehearsal’ Is A Masterclass In The Comedy of Discomfiture

By 23 August 2022

Review

Review: ‘Comicstaan’ S3 Offers A Fresh, Wholesome Take On Comedy Reality TV

By 16 July 2022

Review

Review: Bill Burr Misanthropic As Ever On ‘Live At Red Rocks’, But Offers Glimmer Of Hope For Redemption

By Akhil Sood 13 July 2022

Review

Review: The Hits, The Misses & Behind-The-Scenes Drama at Netflix Is A Joke Fest

By Aditya Mani Jha 22 June 2022

Review

Review: On ‘SuperNature’, Ricky Gervais’s Edgy Comedian Shtick Reaches Its Predictable, Tedious Nadir

By Aditya Mani Jha 27 May 2022

Review

Review: Sumit Sourav’s Relatable Comedy Shines On Debut Special ‘Vansh Ki Naash’

By Jugal Mody 13 May 2022

Review

Review: Jaspreet Singh’s Debut Special ‘Koi Load Nahi’ Is A Reminder That Comedy Can Just Be Funny

By 31 March 2022

Review

Review: It Has Its Charms, But Kunal Kamra’s Debut Special ‘Be Like’ Is Decidedly Middle-Of-The-Road

By 5 March 2022

Review

Review: Sumaira Shaikh Expertly Mines Tragedy For Comedy On ‘Dongri Danger’

By 28 February 2022

Review

Review: ‘Goodnight India’ Is A Pale Imitation Of Old School Television Comedy

By 4 February 2022

Review

Review: Kapil Sharma’s Intensely Personal Comedy Special ‘I’m Not Done Yet’ Is Full Paisa Vasool For Fans

By 28 January 2022

Review

Review: ‘Sorry’ Shows Tantalising Glimpses of Louis CK At His Peak, But Devolves Into Awkward, Undirected Rage

By Aditya Mani Jha 23 December 2021

Review

Review: CarryMinati’s ‘Me, Boss and Lockdown’ Is Funny In Parts, But Plagued By Problematic Writing

By Aditya Mani Jha 7 December 2021

Review

Review: ‘One Mic Stand’ Offers Little More Than Milquetoast Celeb Novelty

By Akhil Sood 2 November 2021