Review: Mae Martin Makes A Terrific Case For Sappiness On Netflix Special ‘SAP’

By Aditya Mani Jha , 12 April 2023

Rahul Subramanian Puts The Audience In The Driving Seat On Crowd Work Special ‘Rahul Talks To People’

By Akhil Sood , 4 April 2023

Review: Aakash Mehta Gets The Fundamentals Right On ‘No Smoking’

By Akhil Sood , 9 March 2023

Review: Chris Rock Promises Fireworks But Delivers A Damp Squib On ‘Selective Outrage’

By Aditya Mani Jha , 9 March 2023

Review: Abhishek Upmanyu’s ‘Jealous Of Sabziwaala’ Is A Stellar Debut That Explores Anxieties About Personal Health

By Aditya Mani Jha , 28 February 2023

Bullet Review: Anubhav Singh Bassi Turns Youthful Misadventures Into Comedy Gold On ‘Bas Kar Bassi’

By Bhanuj Kappal , 9 February 2023

Review: Daniel Fernandes Subverts and Exceeds Expectations On Vital New Special ‘Alive And Vaccinated’

By Aditya Mani Jha , 6 February 2023

Review: On ‘The Cynic’, Romesh Ranganathan Finds Fresh Laughs In Tales Of Everyday Domesticity

By Aditya Mani Jha , 20 January 2023

Andrew Santino’s ‘Cheeseburger’ Is The Ideal Cheat Meal After A Long Day

By Shantanu Sanzgiri , 18 January 2023

Bhuvan Bam Shows Real Star Quality In ‘Taaza Khabar’. Too Bad The Writers Didn’t.

By Aditya Mani Jha , 16 January 2023

Review: On ‘Landing’, Vir Das Explores India’s Shrinking Space For Dissent & Showcases His Evolution As An Artist

By Aditya Mani Jha , 3 January 2023

Zakir Khan Comes Of Age As A Storyteller On ‘Tathastu’

By Aditya Mani Jha , 8 December 2022

Bullet Review: Neal Brennan’s ‘Blocks’ Is Its Own Version Of Sunday Scaries But At Least You’re Laughing

By DA Staff , 13 November 2022

Hasan Minhaj’s Proves He’s Powerpoint Comedy Royalty On ‘The King’s Jester’

Patton Oswalt Investigates Own-The-Libs Hysteria and the Wokeness Generation Gap on ‘We All Scream’